New Tor site

I've always found it a bit disappointing, and rather ironic, that science fiction publishers have generally not taken much advantage of the possibilities of the internet, the big exception being Baen. The most egregious example was Tor, which despite being SF's preeminent publisher had a pretty poor website. Well, they've completely revamped, and their new site is one of the better science fiction publisher sites on the internet, with extensive author sections and listings for all their books. Have a look.

Mindstar Rising by Peter F. Hamilton

Mindstar Rising, published in 1993, is the debut novel of Peter F. Hamilton, and the first book in the Greg Mandel trilogy.

The book is set in a high-tech Britain in what appears to be the mid-21^st century, although a firm date is never given. Britain has been ravaged by global warming and is struggling to recover from the social and economic devastation left by a decade of socialist dictatorship that has only recently come to an end.

The hero of the story is Greg Mandel: detective, former resistance fighter, British Army veteran, and telepath. He’s a product of the Mindstar Battalion, an abandoned attempt by the British government to tap and augment the powers of the human mind for military purposes. He can read the feelings and moods of those around him thanks to special implants, which comes in handy in his work.

After a short prologue, the story begins when Mandel is hired by wealthy industrialist Philip Evans, owner of technology firm Event Horizon, to root out sabotage in the company’s zero-g orbital factories. As the story progresses, Mandel find himself up against assassins, saboteurs, hackers, corporate mercenaries and more as he tries to unravel the mystery and protect his employer.

I thought Mindstar Rising was an excellent book and a great combination of mostly-realistic science fiction (psionics aside) and action/espionage. It’s got an interesting setting, some neat technology, and lots of action. It’s got memorable characters too; once you meet Mandel’s friend Royan, you won’t forget him for quite a while.

Hamilton does a nice job of portraying a ravaged nation just pulling itself out of ruin- slums, crumbling highways, former coastal towns half-submerged by the rising oceans. He does a nice job of creating a feeling of both bleakness and a bit of hope. It’s a type of setting you don’t seem to see that much- a recovering former dystopia.

The existence of psionic powers, something not seen much in print science fiction anymore, is handled well- it’s important to the story but doesn’t utterly dominate it. I especially like the way prescience was handled. Interestingly, whereas many works that deal with psionics imagine the discovery of such powers being a radical social change, perhaps even the next step in human evolution or some such, in this book it is described as being far less spectacular- Mindstar Battalion was an expensive failure, not useful enough to the Army to justify its cost. I found the idea of the telepathic supersoldier as costly boondoggle sort of amusing.

I highly recommend Mindstar Rising to anyone who likes a lot of action in their science fiction, people who like near-future speculation, and fans of Hamilton’s later works. Check this one out.

John C. Wright interview

One of my favorite authors, John C. Wright, has a great interview up at SciFi Weekly. The descriptions of some of his upcoming projects sound especially promising.

Jabootu is back!

I'm hitting this a little late, but better than never: Jabootu's Bad Movie Dimension, the funniest movie site on the internet, is back in action with a new site. If you get a kick out of cheesy movies, or just like to laugh, be sure to check it out.

Science fiction and fantasy in bookstores

Robert Sawyer has a provocative suggestion at his blog: shelve science fiction and fantasy separately in stores. The idea has a certain appeal- I like precision of categorization, and it would make finding certain things quicker- but I think it would be a bad idea. Two reasons:

1. I don't buy Sawyer's claim that the long-standing association between the genres of fantasy and science fiction is a mere historical accident. There are simply too many major authors who have written in both genres- Poul Anderson, Jack Vance, Greg Bear, David Drake, Gordon R. Dickson- for me to believe they are "diametrically opposed," as Sawyer suggests. The commonalities between the two are something for another post, though.

2. On a more practical level, because many people (for whatever reason) write in both fields, it would mean that many authors would have to have their fiction split into two different sections, which would be a pain. Or, alternately, the store would have to pick one section to put all of an author's work in, which would also be a pain.

All in all, I prefer the status quo. I enjoy the narrower categories at online booksellers like Amazon (which does let you search separate fantasy and science fiction sections) but in a physical bookstore I'd rather things stay as they are.

Hat tip: SF Signal.

Cordwainer Smith news

According to their updated schedule, Baen Books will be publishing a second Cordwainer Smith collection this September, entitled When the People Fell. Smith's total output was fairly small, so this second volume may well make all of his science fiction work available in stores again. Baen's collections have introduced me to some new authors, so hopefully this will bring Smith to a bigger audience.

Gridlinked by Neal Asher

Today I'll be examining Gridlinked (Tor Science Fiction) by Neal Asher, a British author who has only been published in America within the last few years, though he has been writing for some time now. The book is the beginning of a series set in Asher's "Polity" future history.

The setting is a futuristic A.I.-ruled human society called the Polity. Travel throughout the Polity is accomplished principally through teleportation devices called "runcibles," which can turn people into energy and instantly transmit them across light-years. When a runcible on the remote world of Samarkand is sabotaged, destroying the settlement there, Earth Central Security agent Ian Cormac is sent on the Polity spacecraft Hubris to investigate. Meanwhile, a ruthless terrorist leader from his last case is gunning for him, and mysterious, inhuman beings are at work.

Characters

Ian Cormac: Cormac is a long-serving agent of Earth Central Security. He has been rendered all but emotionless by the 30 years he has spent gridlinked- joined by brain implants with the Polity's computer network and the A.I.'s he works with. This is considered very dangerous- remaining gridlinked for longer than 20 years is highly discouraged. He is encouraged to give up his gridlink after he blows an undercover investigation because of it- he is so emotionally undemonstrative that he is mistaken for an android by the Separatists he was infiltrating.

Cormac is fairly robotic at the beginning- he has very little emotion, and is continuously frustrated by the fact that people are not as reliable or efficient as machines. It's interesting to see him try to adjust to losing his link- for instance, he has to get used to actually talking when he wants information, instead of simply downloading it into his brain. Getting used to relating to people normally is also a challenge for him at first, though he improves as time passes.

Arian Pelter: A ruthless terrorist and Separatist leader, obsessed with getting revenge against Cormac for killing his sister. Utterly ruthless and driven

Mister Crane: A homicidal two-and-a-half meter tall android under Pelter's command. When not tearing people apart with his bare hands, he likes to examine the various toys and knickknacks he carries around in his coat.

John Stanton: An experienced mercenary in Pelter's service. Stanton isn't a good man by any means, but he still has a few remnant bits of conscience, and working for a man like Pelter gives them quite a workout.

Dragon: A bizarre alien organism/machine of unknown origin, consisting of four linked kilometer-wide spheres. Decades ago, Ian Cormac encountered this enigmatic being on the Polity world of Aster Colora, just before it vanished in a cataclysmic explosion. Now, Cormac sees traces of Dragon on Samarkand. Before it vanished, Dragon claimed to have been watching humanity for millennia. But what is its true nature?

Comments

Gridlinked is very solid enjoyable space opera/action story. I found the setting interesting (more on that in a bit), with some interesting locations. The story moves at a nice, quick pace, and made me want to keep reading. In particular, the central mystery of Dragon's true nature and intentions kept me interested in what would happen next. The action scenes are exciting and well done, though not for the squeamish. I liked the characters quite a bit- Ian Cormac is a likable hero who has an interesting psychological challenge to deal with, the psychological and moral progression of John Stanton is well done, and Pelter is very good as a villain.

I have two complaints. First, I wish more had been done with Cormac's adjustment to living without his gridlink. There's a lot of potential in the idea, and I don't think the book fully exploited the possibilities. Second, the ending seemed a bit rushed. These are only minor problems, however, and they don't detract significantly from the book.

Gridlinked is one of the few works of science fiction I can recall that really deals with the implications of a "convert people to energy" style-teleporter- namely, the fact that the mass of an entire human body yields a lot of energy, and that this energy could be incredibly destructive if turned lose. I'm kind of surprised that Star Trek, to the best of my recollection, never did anything with this, considering how many episodes revolved around transporter malfunctions. (Though Trek was seldom very good about thinking through the implications of its own technology.)

I loved the mysterious Dragon. Plenty of science fiction stories have had enigmatic ancient aliens, but Dragon is just so damn creepy. The biblical allusions in his dialogue, his strange mixture of flesh and machine, the bizarre reptilian servitors- it creates quite an atmosphere. Excellent character.

The story touches a bit on some of the possibilities of human alteration. Several characters make use of electronic brain implants to enhance their thought processes or help them link to machines. The aging process has been defeated, though some people choose to look old to project more authority or gravitas. (An idea that also comes up in David Drake's Cross the Stars.) Some people have been genetically engineered to live in heavy gravity or in deep space, and many people undergo extensive cosmetic alterations.

As I mentioned above, the Polity is ruled by artificial intelligences. I rather like the way Asher addresses the idea- it is portrayed as neither a cure-all for social ills, nor as some sort of oppressive dystopian nightmare. The A.I.s seem to do a reasonably good job of it- the Polity has a very high standard of living and appears to be fairly free; people can travel anywhere they want in the Polity without restriction, and free enterprise seems to be thriving. This does not greatly affect the plot, but some social effects are briefly touched upon- it is mentioned, for instance that certain humans, including Cormac, have all sorts of wild, larger-than-life legends attributed to them by a public desperate for proof that humans can still control their own destiny. The people of the Polity do not seem to object to their masters- it is mentioned, late in the book, that most people take it for granted that humans are not fit to rule.

The obvious comparison, of course is the Culture universe of Iain M. Banks. The Polity, while portrayed as attractive, is a good deal less utopian then the Culture, where the A.I.s (or "Minds") do pretty much all the work while humans live in total leisure. (By the way, what's the deal with British space opera authors and these vague names? I half-expect Alistair Reynolds or Peter F. Hamilton to come out with novels about "The Society" or "The Regime." I kid, I kid.) The only other A.I.-ruled society in recent print SF that comes immediately to mind (I'm missing some, I'm sure) is the Consensus from David Drake's Northworld trilogy, and in those books it's just a minor background detail, albeit an effective and atmospheric one.

I would highly recommend Gridlinked (Tor Science Fiction) for anyone who likes action-oriented science fiction or interesting future societies, and I look forward to reading more from Asher. Fortunately, his books are becoming more readily available in the United States.

For more information about Neal Asher, you can check out his website and his blog at The Skinner.

Nebula awards

Here's some neat news: SFWA has posted this year's Nebula Award preliminary nominees. I'm a bit embarrassed to say that I haven't read any of the nominated novels; most of my recent reading has been old out-of-print stuff from used book stores, and even my new books are usually a few years old. My favorite author of those nominated is Jack McDevitt, though.

The Man From Earth by Gordon R. Dickson

Today I'll be reviewing The Man from Earth by the late Gordon R. Dickson, best known for the Childe Cycle (AKA the "Dorsai" series.) This is a collection of 10 short stories by Gordon R. Dickson, with publication dates ranging from 1952 to 1969, mostly dealing with interaction between humans and aliens, usually in situations of conflict. My favorite stories from the collection are:

"Call Him Lord"- On a distant future Earth that has been preserved in an ancient condition by a starfaring human empire, the son of humanity's emperor is put to an ancient test. I liked the way the story is set up- Dickson takes an Earth much like ours, and yet makes it strange and alien. He also does a good job of inspiring emotional sympathy for a character that only appears in the last page, which isn't always easy to do, especially when it's not a viewpoint character.

"Ancient, My Enemy"- A group of prospectors and a young anthropology student are exploring in lethally hot territory occupied by primitive aliens when the youngest of the prospectors finds himself the target of a bizarre alien rite of battle. But the savage aliens aren't the only brutes out in the desert, and violence from without isn't the only enemy the young prospector faces. This is my favorite story in the collection, with an interesting alien culture and an emotionally effective conclusion.

"Steel Brother"- A story of a man who guards humanity's frontier's against alien aggression, with an interesting wrinkle- he wears a mechanism in his helmet that contains the recorded thoughts and memories of each man who served and died in his place before him, which he can access by thought. Does he call on that accumulated experience in battle and risk having his own personality swamped, or go it alone without the experience that might be vital to victory? Thought-recording and downloaded personalities are common tropes now, but it was neat to see it in a story from 1952.

"Love Me True"- Nice and creepy, and it has the good kind of twist ending- the kind that surprises you, yet seems obvious when you read the story a second time.

All in all, The Man from Earth is an enjoyable collection. The stories deliver plenty of excitement and some emotional punch. If you like science fiction from this era, or if any of the stories outlined above sound interesting, then by all means seek out a copy.

Jack McDevitt interview

There's a nice interview with Jack McDevitt over at SciFi Weekly. If you don't know McDevitt's work, you really should check him out.